Jumat, Februari 26, 2010

CHILD Photography Tips

The field of child photography is challenging but also both enjoyable and profitable - if you like children. Don\'t bother pretending, if you really don\'t. You may fool a parent - but not the little one.

Tips to help are: The techniques used in most other fields of photography do not always apply in child photography. The phrase "hold it" or "freeze" carry very little weight with children. They typically do as they please and if they please. Your assignment is to anticipate what a child may be about to do and capture it.

YOU can turn this into your advantage: Since children don\'t always do what you want them to do, or what you expect them to do (actually they rarely do!). A solution often is: don\'t expect them to become a cooperative little adult merely because you want to take their picture. Trick them - expect them to act like children. Don\'t expect anything in particular. DO this and you can enter the fun and profitable field of child photography.

Know your stuff - Before you start booking sessions with children you must know exactly what you are capable of doing - what your camera is capable of doing - what all your equipment is capable of doing. Operating your camera and equipment must be second nature. Have your style of photography down pat, so when you start a session your mind is on the children). This takes your complete focus. This is not the time to be fiddling with you camera, or trying to figure out your light setup. Children take 100% of your concentration. For some children the entire shoot may only last 10 minutes - though you feel you have just run a marathon - so you have to be able to get in position , get the most cooperation from the child, get great shots. At times, this has to be done very quickly, BUT you cannot make the child feel they are being rushed.

Know your subjects - With children, you must expect the unexpected. At different ages children are capable of doing different things. The more you know what they typically do during some of these stages, the better images you are going to capture. And the happier you make your clients - which, in turn, makes you financially happy.

During a session photographing children you can get a variety of poses, expressions and antics. In no other field of photography are you liable to get such variety. The more you learn about little ones the better child photographer you will be. Children are not just children until they become adults -they come in all sizes. Between four months and four years you can place them into quite a few categories: 4-6 mos, 6-12 mos, 12-18 mos, 18-24 mos, and then you can lengthen out the age span. Awareness of these ages are needed to help you - the photographer - be aware of the limitations children (especially little ones) have.

Listening to the parent can help toward a successful session. You can learn specific things about their child that will make it or break it: Are they afraid of certain things or sounds? What are their special likes? Do they like books? How comfortable are they with a stranger approaching them? You do NOT want to spook a little one; the scheduled time may not allow for you to win their confidence.

Be ready with that camera when you first introduce something new -you do not get a second chance to get first reactions!

In most areas of photography a tripod is great for sharp photos. However with child photography you do not always have such a luxury. Once they reach the moving around stage, a tripod limits your ability to capture expressions and poses. Be mindful of your camera settings - keep that shutter speed fast enough to prevent blurring - and be ready to move quickly!

Child photography allows for close-up portraits as well as the child engaged in some activity - taking their socks off - in a box / tub with toys - climbing on or out of something. There is really no limit. As you continue to gain experience in working with children of various ages you will become more adept at learning what typically works with different age groups.

Child photography is a challenge - but don\'t worry sometime it turns into children photography. Mom has twins - big brother / little sister - maybe three little cousins. The list goes on! Imagine two sister and they both have triplets! Other than the obvious difficulty of getting multiple little subjects in any semblance of position, conducive to a memorable photo you need to bring everyone’s eyes to a central focal point. Tricky, but not impossible. Adding something NEW to catch their attention, at the moment you press the shutter, can work. Use this sparingly, because when child photography turns into children photography getting all their attention on the same thing is quite a feat. The beauty of digital is no limits to the exposures you take and you can take a quick peek on the spot.

Parents can be quite helpful during the photo session. Children often are more confident with a parent nearby. Also, do not overlook the value of older brother and sisters. They have a relationship with the little one like no one else! Often they can get their little brother or sister to giggle, make faces, hold things and a host of other things that may be exactly what you need. Plus, you have the opportunity of including more subjects in the photos, which translates into a larger photo package for the customer!

As you advance in child photography you will want a lighting setup and a backdrop. A three light setup - consisting of a main light fill light and a background light - is ideal. However if you are just beginning you can do great photography with a lot less. Experiment, and add as needed. If you are using a backdrop keep the child at least four feet from the backdrop (if possible). This eliminates shadows and prevents the backdrop from competing with your subject.

Take your act on the road - You can do child photography at the park - on the beach - in the backyard, just as easily as in a studio or home - maybe more so - and nature will take care of the lighting for you, as long as you select open shade.

Items to have on hand: Depending on the ages and whether you are shooting indoors or outdoors you need a supply of items to catch and keep their interest and that look great in a photo: rattles feather dusters soft toys dolls hats mirrors a telephone (the bigger the better) a big whistle duplicate toys (for twins & overly competitive little ones) treats & snacks.

She Wears Red.....

One of my favourite little girl....little princess... she's so beautiful in red shirt :)
Captured by Canon EOS 450
Location : Pangandaran, West Java

Sabtu, Februari 20, 2010

Ten Tips for Better Flower Photographs

BE SELECTIVE. At a flower show , there is an enormous number of beautiful flowers. Don’t rush to photograph the first blossom you see. Find a plant with the best combination of form, color, lighting and background.

COMPOSITION. Pay attention to the position of your subject in the viewfinder. Putting the subject in the dead-center of the picture is often the first instinct, but is not always the most aesthetic composition. Concentrate on what you see in the viewfinder, and recompose the picture until it looks the best to you. And don’t forget to try vertical framing, as well as horizontal.

ISOLATION. For impact, isolate your subject. Find a camera angle that minimizes distracting elements, such as other flowers or spectators. Take the time to try low angles, high angles, or moving to the right or left. A wide lens aperture ( a lower-numbered f-stop on and SLR camera) will enhance this effect by softening the background.

ENVIRONMENT. Wonderful photographs can be created by showing the relationship of you subject to its environment. A simple way to achieve this is with a wide- angle lens on a SLR camera, or the wide mode on a dual-lens or zoom lens point-&-shoot camera. Position your subject as close as possible in the foreground.

PATIENCE. When photographing flowers outdoors, be aware of small breezes that might set the flowers in motion. Likewise, breezes can be caused indoors by the opening of a door or the brisk movement of people. For sharp picture, you must be prepared to wait for all movement to cease before releasing the shutter.

TRIPOD. Because the light in parts of the Conventions Center (or building) is varied, you may be forced to use slow shutter speeds. In this situation, hand-holding your camera might result in vibrations and unsharp pictures. Use a tripod to steady your camera if it has a tripod screw-socket. If you don’t ( or can’t) use a tripod, try to steady your camera in other ways- nestle it on a bean bag or your coat; brace the camera against a wall; or at the very least, take a firm stance while shooting, with your legs slightly apart and your elbows braced. When using and SLR camera on a tripod, cable a release can significantly reduce unwanted vibrations.


EXTREME CLOSE-UPS. Flowers take on an entirely different look when viewed in extreme close-up. Use your viewfinder indicators to move in as close as possible, while still maintaining sharp focus. If you are using a 35mm SLR camera, your macro (close-up) capabilities can be extended with accessories such as a macro lens, a macro teleconverter, or even screw-on supplementary close-up lenses or extension tubes for your present lenses.

THE WHOLE PICTURE. Consider the whole plant when you photograph, and not just the colorful bloom. Examine the fascinating textures and geometries of leaves, seed pods and fallen petals.

EXPERIMENT! Don’t be afraid to shoot a few extra pictures. Try different angles and different lighting. Also depict your subject from several different viewpoints.

LEARN FROM YOUR MISTAKES. If your picture don’t convey what you saw in your mind’s eye, ask yourself: “What went wrong?” If you study your mistakes, you will be rewarded wit a greater number successful photographs on your next outing.

Hope you enjoy your experiment!!


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